Enter the Void, the new film by French-Argentinian Director Gasper Noé, is a truly remarkable film. Its visceral affectivity is staggering, and is matched only by its total commitment to transforming the current state of cinema. Arguably it is just not like anything ever seen in the cinema before. This film is relentlessly experimental, and is unafraid to totally immerse and disorientate its spectators by placing them in the most abstract, frenetic and artificial of filmic landscapes. It is a classic example of a truly ambitious work of cinema which is completely unhinged from the realm of conventional representation, and operates according to a completely different schema. Continue reading
Haunted Air is a beautiful and haunting new book of found photographs of the festival of Samhain and Hallowe’en collated by the artist, musician and composer Ossian Brown, who was a member of Coil and is a co-founding member of Cyclobe. The book features an introduction by David Lynch and an afterword by Geoff Cox, and is published by Jonathan Cape. Continue reading
CSO 3: New York 18/08/01 – Convergence
Personnel: Jhon Balance, Peter Christopherson, Thighpaulsandra, Tom Edwards & Martin Schellard (additional performers Danny McKernan & Matthew Gibson)
CSO 4: Moscow 15/09/01 – DK Gorbunova
Personnel: Jhon Balance, Peter Christopherson, Thighpaulsandra & Tom Edwards
Tracklist (same for both discs):
Higher Beings Command
What Kind of Animal Are You?
Blood from the Air
I Am the The Green Child
Constant Shallowness Leads to Evil
The performances on the next two discs are examples of Coil’s second live period, what is often referred to as the Constant Shallowness Leads to Evil live era, one of which is excellent and the other extraordinary. Continue reading
I was fortunate enough to see Coil play twice, both in 2000. The first time I saw them was their first proper concert performance at the Royal Festival Hall as part of Julian Cope’s Cornucopia programme, performed just over two months before the Sonar performance captured on this disc. This was a perfomance intially billed as The Industrial use of Semen Will Revolutionise the Human Race. Continue reading
Coil – Colour Sound Oblivion: Disc 1
August 24, 1983
Coil: Air Gallery, London
A Slow Fade to Total Transparency
Peter Christopherson (provided backup tapes)
Cerith Wyn-Evans (cameraman)
“John Gosling, Marc Almond and I performed something called ‘A Slow Fade To Total Transparency’ (How to Destroy Angels) . . at the Air Gallery on 24th August. This was a mixture of reading by Marc and a performance by John and me. It was videoed and I think it will be released in some form. Also Cerith Wyn-Evans, a super 8 film maker is planning to do a film around the original idea.” Continue reading
My copy of the Coil DVD box-set Colour Sound Oblivion (no. 222) was finally delivered this week.
My wife had ordered this earlier in the year as a surprise wedding gift for me, but when completion of the project was unavoidably delayed due to the civil unrest in Bangkok, it became clear that I wouldn’t receive it in time for the ceremony and Sleazy was kind enough to post the following personal message which was screened at my wedding.
In just the short time that I’ve spent so far watching some of the live concerts it is obvious that I needed to attempt to write some kind of response and review of them. Coil has been an extremely important part of my life for the past 25 years, in ways that are very difficult to put into words. Throughout all of that time Coil’s work has been a constant companion and inspiration. Continue reading